A Chinese-American mother and daughter pull into a gas station in rural Virginia but are refused service for being Asian. Mary stubbornly refuses to driveway away until she gets served, so eight year old Shelly uses her imagination to help her mother preserve dignity in the face of racism. Based on real events. Set in 1982.
“Sunday Errand” is a proof of concept, short for the feature film “Dear Wizard.” It is a one location, single scene short.
Artistic and Cultural Impact
“Sunday Errand” tells the story of what it means to have to confront racism and adult conflict with child-like innocence and imagination. Shelly happens to be Asian-American, but she could be any little girl who is forced to choose between disempowerment and the absurdity of the adult world or authentic growth with resilience.
There’s no solution for racism or didactic lesson in the film. It’s simply showing how ordinary and menacingly racism has been with us.
“Sunday Errand” is also feminist film. It breaks the American cinema tradition of portraying Asian women as submissive or one-dimensional background characters, in favor of authentic representation.
Intended Audience
Sunday Errand is a film for everyone who wants to dive deeper into stories about every-day Americans and families that struggle with belonging and inclusion. The anti-Asian hate in the news today is not new. It has been with us throughout American history, and each time there is a national tipping point / spike in violence and intolerance, it is build-ing on intolerance that has long existed and has yet to be eradiated.
We believe that this simple but emotionally loaded, one-scene, one-location, 5-7 min-ute film will show an authentic moment of a family’s life and add depth to current con-versations about racial equity.
Synopsis
After being dismissed by the gas station attendant at STERLING GAS, MARY, 30, refuses to leave until someone pumps her gas.
SHELLY, 8, is in the back of the car, trapped like a hostage. She is distressed by her mom’s behavior; she just wants to leave.
They waits and wait. The white gas station ATTENDANTS look bemused at first, but when another car pulls up behind Mary, the pressure goes up. The attendants and white driver behind all scream for Mary to move on.
Shelly is distressed and tells Mary they need to go. But Mary is not going to leave until she gets her tank filled. As the yelling escalates, Shelly decides to do something.
She gets out of the car, and to everyone’s surprise, lifts the heavy nozzle off the gas console and tries to pump gas. The white attendants grow silent, watching Shelly struggles with the heavy nozzle and what to do, this being her first time.
Struck by her persistence, and realizing she won’t leave until Mary gets gas, the younger attendant finally gives in, walks over and shows Shelly how to pump gas in a kind voice.
Shelly takes his instruction. As the tank fills. Shelly’s facial expression transforms. She goes from being anxious to being confident, delighted and proud of herself.
As they drive off, Mary yells something profane in Chinese out the window. Shelly repeats it in English for the attendants. Mother and daughter drive off, leaving the startled white Southerners in a plume of brown dust
If you wish to read the full script, please contact us.
Look and Feel, Tone
Sunday Errand will be captured in a direct, cine-ma verite style and will place viewers in the car with Mary and Shelly as they sit waiting for the gas to be pumped. In long, unobstructed shots of Mary and Shelly, an uncomfortable and come-dic tension will build between the two characters. Being inside the car, viewers will also feel the pain of being denied services. When Shelly decides to make herself visible, the viewer feels both the fear and liberation of stepping out of the car with her. As the white attendants and the other car impatiently watch her try to pump gas, there is nowhere for Shelly or the viewer to hide.
Sunday Errand uses comedy to tell the truth. White supremacy is absurd; Thus, a story about white supremacy has absurdist humor, with dramatic moments coinciding with Shelly’s character growth.
